http://www.nme.com/news/suede/25538

And don’t the NME kids love it?

very disappointed and disturbed that this thread doesn’t just say ‘GOTCHA!’ when you click in

That’s for sure.

Haha. Dissapointingly not terrible, but not gr8 either.

Ugh @ comment box morans

“We are not interested in this has-been” and “Brett you’re a knob” seem pretty OTM to me!

Lex on NME comments shockah

brett anderson: DIE

Brett Anderson in Christina Aguilera shock

haha NME in indie-boosting elitism, er, SHOCKA

Come to think of it, “Beautiful” would have fit in nicely in Suede’s catalog. It all seems so obvious now.

i dont know who this guy is but beautiful is a wack fucking song

I do know who he is but I agree with Ethan entirely!

i think it’s a good song, maybe even great. indifferen to BA really.

Words can’t bring him down.

I still prefer the cover I produced a couple of years ago.

Clem Snide beat the both of you to it (unless you produced their album)

Patti Smith covered it on New Year’s 2004!

Great song.

I will give it the glam descend in the chorus. That’s it.

I have never heard the Xtina version to my knowledge.

Yes, I live in a bubble.

Obscure indie wanker covers rubbish production line pop song; ILM popists write into papers.

How many years until Christina becomes a gay icon first and foremost? A ways off I’m sure but I can’t help but feel I’ll be watching gay men give slightly ironic but awkwardly sincere (campy isn’t really the word here) tributes to her music till I die. See, once you enter the gay canon you can never leave the public spotlight really...Christina seems to have figured this out and now I’ve resigned myself to her presence in pop culture.

*Don’t even get into the fact Brett Anderson has a “complex” sexuality

I can actually imagine this working quite well. Aguilera and Anderson share a taste for vocal largesse—where most indie covers of pop songs fall down is the plaintive indie whine factor.

It will be better than “She’s In Fashion” or the like surley.

brett anderson somehow manages to combine vocal largesse AND plaintive indie whine into one unlistenable fey/wimpy mix though. ugh.

They let Xtina go blind
But everyone she knew thought she was beautiful

At least Brett isn’t doing Dirrty

That’s more Travis territory.

for those interested, this news just in :


BRETT ANDERSON
The Solo Album
Released March 26th on Drowned in Sound Recordings

Brett Anderson’s solo debut marks the return of one of the UK’s most critically acclaimed singer- songwriters. After a hugely successful decade with Suede and a triumphant return to form with The Tears, he’s back with one of the most pertinent and impressive solo albums of recent times. Personal, contemplative and passionate, the result marks a brave and exciting phase for Anderson and his audience.

The man behind the voice that formed a cornerstone of Britpop in the 1990’s, Anderson’s solo effort opens a new chapter in his illustrious career. Written and co-produced by Anderson and Fred Ball, the 11-track LP is a journey into his own personal emotional landscape but carried off with enough skill to make listening a universal experience.

“In the past I’ve hidden behind characterization and vignettes,” says Anderson, “but I’ve not done that here. Essentially I have taken a knife to myself and am showing the world my insides. The songs are a comment on how I really feel, whether it be the death of my dad, my hatred of consumerism or just the loneliness of life.”

Bristling with angular acoustics and supple strings, the album is an arsenal of songs for an unsettled world. Highlights include the emotive, soul-baring ‘Song For My Father’ the smouldering, melodic ‘Scorpio Rising’ and the beautiful, brooding ‘Love Is Dead’.

“‘Love Is Dead’ is one of those rare songs that you manage to write every ten years that explains how you feel in exactly the right way. The last time that happened was with ‘Trash’ ten years ago, ” he says’ “ it seems right that it should happen again now”

“It’s a very important record for me to have made. No guests, no gimmicks, just me and the music”

Live dates for 2007 will be announced shortly. Promos available soon.

“one of the UK’s most critically acclaimed singer- songwriters”

bienvenue a 1993 bitches.

How many years until Christina becomes a gay icon first and foremost? A ways off I’m sure but I can’t help but feel I’ll be watching gay men give slightly ironic but awkwardly sincere (campy isn’t really the word here) tributes to her music till I die

Where’ve you been? I’ve been watching gay men mince to Xina since at least “Come On Over.”

The Tears were so successful, he’s packed them

Oh, and Fred Ball? Not Ed ball then?

Haven’t heard it but sounds as though it would make absolute sense. Sir Reg Dwight was a major boosterer for ‘The Still Life’, which I would imagine is the springboard for this cover.

if brett had sworn off the drugs he would probably have enough money to see him through to old age with some dignity. but not.

Drowned in Sound Recordings

:(

i got thru most of this thread thinking brett michaels

imagine my disappiontment

Drowned in Sound Recordings

That *is* a joke, right?

For anyone else who can’t get the link on the NME page to work:

http://www.youtube.com/watch?v=Ib-KSpQese0

It’s just kind of nothing, really.

I do like “Love is Dead,” based on hearing it a couple of years back from a Copenhagen show with an orchestra. (Momus and C4lum disagreed, amusingly enough.)

Drowned in Sound Recordings

no joke.

and i have to admit that this too was the ‘WTF!’ part of the mailout for me too, despite not really having any valid reasons to be so surprised.

goodbyemrpink (1 week ago)
I could be deep and meaningful, but the simple is truth is DONT GO AWAY BRETT, YOUR THE WILD ONE.. and we love IT.

good version of this (only good version of this) by Daniel Franzese in Mean Girls.

What is the significance of Drowned in Sound?

i think it’s a pitchdork-type website?

Jealousy/rivalry*, probably

*delete as appropriate

er, xpost

What is the significance of Drowned in Sound?

UK version of Pitchfork, in the same way the Morecambe is the UK version of Las Vegas.

it’s kinda uh oh cos unless they are backed by EMI or summat it’s a rather large step down for the fella

serena-maneesh vs. brett anderson

playlouder vs. drowned in sound

you decide

I know it’s not the best quality recording, but Brett’s piano sounds like it should have been tuned a year ago. And his use of the loud pedal seems odd to me.

The way he uses it, I mean.