Uncut Reissues / Comps / Boxsets

30 Suede—Suede

29 Nirvana—Nevermind

28 V/A—Delta Swamp Rock

27 Phil Spector—The Phillies Album Collection

26 Mercury Rev—Deseter’s Songs

25 Richard Thompson—Live at The BBC

24 Donovan—Sunshine Superman

23 Caravan—In The Land of Grey and Pink

22 The Fall—This Nation’s Saving Grace

21 The Louvin Brothers—Satan Is Real / Handpicked Songs 1955–1962

20 U2—Achtung Baby

19 Manic Street Preachers—National Treasures: The Complete Singles

18 Kate and Anna McGarrigle—Tell My Sister

17 The Kinks—Kinks Kontroversy

16 Neil Young and The International Harvesters—A Treasure

15 V/A—Our Lives Are Shaped By What We Love: Motown’s Mowest Story 1971–1973

14 Kate Bush—Director’s Cut

13 Mark McGuire—A Young Person’s Guide

12 Michael Chapman—Fully Qualified Survivor

11 Roy Harper—Stormcock

10 Jim Ford—Harlan County

9 Can—Tago Mago

8 Primal Scream—Screamadelica

7 R.E.M.—Lifes Rich Pageant

6 Disco Inferno—The 5 EPs

5 The Jesus and Mary Chain—Darklands

4 Marvin Gaye—What’s Going On

3 The Smiths—Complete

2 Mickey Newbury—An American Trilogy

1 The Beach Boys—The Smile Sessions

no. 2’s an interesting choice on that reissues list.

Funny how everyone scans over the metal list as “oh, well, they just cover metal so of course they’re gonna have a list full of metal albums” yet every time something that just covers shitty indie has a list made up of shitty indie people are LIVID.

― Illia Rump (emil.y), Tuesday, 29 November 2011 16:00

^^^^^^&&&&

metal: the shitty indie it’s OK to like

FACT mag 10–1

http://www.factmag.com/2011/11/30/50-best-albums-of-2011-50-41/5/

10: FRANK OCEANNOSTALGIA, ULTRA. (SELF-RELEASED)

09: LV & JOSHUA IDEHENROUTES (KEYSOUND)

08: JULIANNA BARWICKTHE MAGIC PLACE (ASTHMATIC KITTY)

07: DRAKETAKE CARE (CASH MONEY / UNIVERSAL)

06: JAMES FERRAROFAR SIDE VIRTUAL (HIPPOS IN TANKS)

05: ARAABMUZIKELECTRONIC DREAM (DUKE)

04: PRURIENTBERMUDA DRAIN (HYDRA HEAD)

03: CLAMS CASINOINSTRUMENTALS (SELF-RELEASED / TYPE)

02: RUSTIEGLASS SWORDS (WARP)

01: THE WEEKNDHOUSE OF BALLOONS (SELF-RELEASED)

Ouch, that’s a bad top ten

yeah, I’m not nuts about some of those

They really love the Drake/Weeknd axis over there

lol y’all got trolled by FACT

haha are FACT delibrately trolling ILX?

xp

i love that araabmuzik album though

Yeah that FACT list was super interesting until the top ten, then, ugh.

I <3 los kramupsinos! dn.

this Rustie album is... okay? not the second-best album of the year tho

why wouldn’t you put ‘the Yankee Hotel Foxtrot of R’n’B’ at #1?? Lol.

Juliana Barwick album is nice though, so I can’t complain...

Julianna Barwick and Clams Casino will be on my albums ballot...of the rest, 50% I haven’t heard and 50% meh.

“This is AraabMUZIK’s electronic dream, and if you don’t like it then you’re quite frankly having a nightmare.”

lol @ Drake and the Weeknd. Clammy Clams will be on my ballot, though. And the James Ferraro is pretty good (would need to hear it more before I decide whether it’s good enough for a ballot place, though).

lol FACT, i still love you.

never got round to listening to the prurient what with horrible memories of the cold cave album still fresh in my head

This isn’t to say it’s an r’n’b album for indie kids

and yet the only other r&b album on the list is frank ocean lmao

i fuck with the top 10 of that Q tracks list, improbably

(i like most of that fact top 10 including the weeknd)

also the fact top 10 is, uh, okay

i like ‘house of balloons’, but not that much

despite lex’s best protest in march, it was not a big year for r&b full lengths, so i’m not surprised that stuff like the weeknd and frank ocean have filled the void a bit

i get that fact likes to stay well within the tumblrverse but it is slightly weird putting frank ocean in your top 10 and not even giving a nod to like, beyonce (or did i miss this?)

but on other hand it means they don’t cover kanye/jay which is nice.

FACT should be, like, way more into lloyd than they are tho imo

yah otm

not even on some lex AYO CHECK OUT MARSHA AMRBOSIOUS, THIS SHIT IS SO MUCH BETTER but i’m surprised that they aren’t checking for fun party songs w/ good beats all done by a single producer

MBDTF was FACT’s number two album of last year and they gave WTT a pretty good review iirc

for some reason i keep thinking MBDTF was released this year duh

I was thinking “jesus, every song on this Araabmuzik album sounds exactly the same”, then I looked at Spotify; I’d made it to track 2

now I’m just bemused that FACT ranked what sounds like an overlong dubsteppy Junkie-XL album the 5th-best album of the year

OK, so v-shasty isn’t Steve Shasta.

i like the araabmuzik a lot — it’s cool to vibe too, idk — it’s def pretty same-y but i like when he does the laser tag keyboard thing and a lot of the samples are p cool

4. Mayer Hawthorne : How Do You Do?

From the Filter list—is this more than just retro blue-eyed soul? Haven’t heard it yet...

i like the araabmuzik a lot — it’s cool to vibe too, idk — it’s def pretty same-y but i like when he does the laser tag keyboard thing and a lot of the samples are p cool

it’s not BAD (I like Junkie-XL!), it’s just... not what I was expecting

yeah it’s not his crazy MPC thing

from FACT, files this under “don’t use wikipedia as a source”

The production values on Take Care really were staggering, and made even more impressive by the fact that whether it was Lex Luger, Just Blaze or Jamie xx

from FACT, file this under “people comparing ‘take care’ to the wrong kanye west album”

More than anything, this album was Drake’s College Dropout

From the Filter list—is this more than just retro blue-eyed soul? Haven’t heard it yet...

No, but imho I think its really, really well done retro blue-eyed soul. I usually cringe at this shit, but my brother in law does some promo for Hawthorne and pushed the album on me and I found myself really liking it.

alright, i take back anything nice i ever said

Like Outkast’s Stankonia before it, House of Balloons also appears to have brought everyone together this year

despite lex’s best protest in march, it was not a big year for r&b full lengths

yet three of my top 10 are r&b, plus a further five in my top 30?

and the anthony hamilton isn’t out yet either

I’m sorry lex, I am still staring in shock at the quote v-nasty posted otherwise I’d ask which 3 R&B albums you’re repping (I’m guessing Marsha is one of them? She was on the Soul Train Music Awards last weekend and sounded really, really sick ;_;)

poor love.

beyoncé, dawn richard, nikkiya, meshell ndegéocello, marsha ambrosius, goapele, raphael saadiq, diddy dirty money (r&b remix mixtape)

i’m not even that into the lloyd album compared with his past work (but it’s still better than the weeknd/ocean OBV)

co-singing that goapele

i rep for trey songz anticipation 2

the musiq soulchild album was pretty good too, and the cherri v mixtape was excellent

and the anthony david album! this song is one of the best songs of the year full stop, amazing stuff

oh yeah Musiq Soulchild, I played that album maybe three times and then forgot I owned it

Sure, ‘NY is Killing Me’ became annoyingly inescapable,

i’ve never heard this

I love the Marsha Ambrosius record; it’s held up well all year.

beyoncé, dawn richard, nikkiya, meshell ndegéocello, marsha ambrosius, goapele, raphael saadiq, diddy dirty money (r&b remix mixtape)

i’m not even that into the lloyd album compared with his past work (but it’s still better than the weeknd/ocean OBV)

― lex pretend, Friday, December 2, 2011 9:53 AM (2 hours ago) Bookmark Permalink

this is what i’m talking about in terms of a ‘big’ year for r&b, beyonce aside. saadiq and maybe ambrosius are household names, but the rest of them are kinda the FACT list for r&b heads

yeah, i just came to the marsha album recently. ‘far away’!!

of that FACT top 10, clams and araabmuzik will make my EOY list (the latter top ten, probably), still haven’t listened to the rustie or prurient albums, FO and barwick didn’t leave much of an impression on me, sort of avoiding weeknd/drake, haven’t heard of the other two

i’m wending my way through that NPR ‘other sounds’ list—if you like gorgeous ambient drifty things, that nicholas szczepanik album is wonderful

lol @ Diddy Dirty Money being more obscure than homegirl from Floetry

well yeah. but the diddy dirty money remix mixtape is pretty far under the radar.

oh leave me my cheap lols, they’re all I have

the real problem w/ the FACT list isnt the music they choose, which is w/e, but the aesthetic incoherency and the embarrassing way it seems to misunderstand/misevaluate its own constituency of tumblr whites

ClashMusic (UK) EOY 2011

http://www.clashmusic.com/feature/the-top-40-albums-of-2011

40. DANGER MOUSE / DANIELE LUPPI—‘Rome’

39. WHEN SAINTS GO MACHINE—‘Konkylie’

38. WOODEN SHJIPS—‘West’

37. WAGON CHRIST—‘Toomorrow’

36. RICHARD DONOSO—‘Progress Chance’

35. RED HOT CHILI PEPPERS—‘I’m With You’

34. WHITE DENIM—‘D’

33. KASABIAN—‘Velociraptor!’

32. JAY-Z AND KANYE WEST—‘Watch The Throne’

31. LITTLE DRAGON—‘Ritual Union’

30. RYAN ADAMS—‘Ashes And Fire’

29. MATTHEW HERBERT—‘One Pig’

28. FLORENCE AND THE MACHINE—‘Ceremonials’

27. THE LOW ANTHEM—‘Smart Flesh’

26. BON IVER—‘Bon Iver’

25. EXPLOSIONS IN THE SKY—‘Take Care, Take Care, Take Care’

24. BIBIO—‘Mind Bokeh’

23. WILCO—‘The Whole Love’

22. M83—‘Hurry Up, We’re Dreaming’

21. ONEOHTRIX POINT NEVER—‘Replica’

20. DJ SHADOW—‘The Less You Know The Better’

19. LYKKE LI—‘Wounded Rhymes’

18. GRUFF RHYS—‘Hotel Shampoo’

17. PLANNINGTOROCK—‘W’

16. BEASTIE BOYS—‘Hot Sauce Committee Part Two’

15. WILD BEASTS—‘Smother’

14. KING CREOSOTE AND JON HOPKINS—‘Diamond Mine’

13. FLEET FOXES—‘Helplessness Blues’

12. BJÖRK—‘Biophilia’

11. BEIRUT—‘The Rip Tide’

10. ZOMBY—‘Dedication’

9. MY MORNING JACKET—‘Circuital’

8. ADELE—‘21’

7. THE KILLS—‘Blood Pressures’

6. METRONOMY—‘The English Riviera’

5. RADIOHEAD—‘The King Of Limbs’

4. BATTLES—‘Gloss Drop’

3. PJ HARVEY—‘Let England Shake’

2. THE HORRORS—‘Skying’

1. MODESELEKTOR—‘Monkeytown’

wagon christ is still a thing?

x-post

tumblr whites

my new band’s name

it would be a good name for a laundry detergent

wagon christ is still a thing?

Yes, he’s still going and he’s become very, very boring.

I do like that Modeselektor album but it’s not top ten material, let alone the best album of the year

best thom yorke record of 2011

wagon christ is still a thing?

This was exactly my reaction

saadiq and maybe ambrosius are household names

Whose households now?

BBC music writers

http://www.bbc.co.uk/blogs/bbcmusic/2011/12/bbc_music_writers_top_25_album.html

25—Bright Eyes—The People’s Key

24—Laura Marling—A Creature I Don’t Know

23—Cold Cave—Cherish the Light Years

22—Trap Them—Darker Handcraft

21—The Decemberists—The King is Dead

20—EMA—Past Life Martyred Saints

19—Julianna Barwick—The Magic Place

18—Fleet Foxes—Helplessness Blues

17—Kate Bush—50 Words for Snow

16—Anna Calvi—Anna Calvi

15—Gil Scott-Heron & Jamie xx—We’re New Here

14—Drive-By Truckers—Go-Go Boots

13—Katy B—On a Mission

12—SBTRKTSBTRKT

11—Björk—Biophilia

10—Iceage—New Brigade

9—Bon Iver—Bon Iver

8—Josh T Pearson—Last of the Country Gentlemen

7—Beyoncé—4

6—Metronomy—The English Riviera

5—Tom Waits—Bad as Me

4—The Antlers—Burst Apart

3—The Horrors—Skying

2—Wild Beasts—Smother

1—PJ Harvey—Let England Shake

Whose households now?

households that listen to R&B

Raphael Saddiq has been famous since Tony! Toni! Tone! and Floetry got a lot of exposure back in their day (not that I realized that’s who Marsha was until this weekend).

man, that SBTRKT album is almost as overrated as that Bjork album

I really hate the SBTRKT album. Primarily cos of the vocals

i love “pharaohs” on the sbtrkt album but the rest of it, not really, and yeah mostly cuz of the vocals.

ambrosius got a #2 album in your country and two grammy nominations, that seems to indicate it’s on a different level of success to eg the weeknd

households that listen to R&B

Oh, well, that’s fair then. They’re prominent R&B singers for sure. But I don’t think of either of them as being crossover artists.

she might not be a household name to indie audiences but who cares about them

^^^^ otm

surely to be a household name all types of audiences (including those who pay no attention to music) have to know who they are?

in a culture where ppl claim to never have heard of Lady Gaga, you are basically saying that there is no such thing as a household name

love it when people snootily dismiss artists as “not crossover” as if that absolves them from having to care about them, as if “crossover” is some sort of pinnacle that all artists should aim for, and as if “pitchfork-approved r&b” isn’t so much crossover as a very specific niche itself

by love i do not mean love

“Michael who? Johnson? Is he the one who did that song about the Corvette?”

lex I think you are arguing a different point than was being made. Nobody was really trying to bring “crossover” into this, just saying that a standard working definition of “household name” usually means appealing to a wider audience than just the cross-section that would typically be aware of such a figure.

Exactly.

I’m not dismissing Ambrosius or Saadiq at all! In fact, I probably should listen to those albums since I’ve heard good things.

I’m just saying they’re not household names. Like, my parents would have no idea who either of them are.

oh god if we’re going to the always-irrelevant “who have my parents heard of” argument, i don’t think any pop star could be called a household name. i am fairly sure my parents have no idea who lady gaga is.

in a culture where ppl claim to never have heard of Lady Gaga, you are basically saying that there is no such thing as a household name

otm. this is pretty standard “death of the mononculture” stuff. my parents will only have heard of current music if it gets played on NPR, for example.

Well, I’m just using my parents as a stand-in for “reasonably well-informed people who aren’t R&B fans.”

I don’t think “household name” implies recognition from 100% of the population, but it’s got to be at least half. I think Lady Gaga and Beyonce have gotten to that point, but Ambrosius and Saadiq have not.

I think, from context, you can infer the scope in which “household name” is being used very easily and therefore there’s no need to say “a person can only be a household name if ppl who don’t give a shit about them know they exist”

Rise Record (UK) EOY 2011

http://www.rise-music.co.uk/browse.php?campaign=AOTW

50.Summer Camp : Welcome To Condale

49.The Decemberists : The King Is Dead

48.James Blake : James Blake

47.King Creosote & Jon Hopkins : Diamond Mine

46.Gang Gang Dance: Eye Contact

45.Bill Callahan : Apocalypse

44.Wild Beasts : Smother

43.Zun Zun Egui : Katang

42.Planningtorock : W

41.Mastodon : The Hunter

40. Little Roy : Battle For Seattle

39.Deerhoof : Vs. Evil

38.Blood Orange : Coastal Grooves

37.Dutch Uncles : Cadenza

36.Cat’s Eyes : S/T

35.Cults : S/T

34.Hyetal : Broadcast

33.E.M.A : Past Life Martyred Saints

32.Battles : Gloss Drop

31.Anna Calvi : Anna Calvi

30.Lanterns on the Lake : Gracious Tide, Take Me Home

29.Girls : Father, Son, Holy Ghost

28.Wilco : The Whole Love

27.Tom WaitsBad As Me

26.The Field : Looping State of Mind

25.Other Lives : Tamer Animals

24.Ryan Adams : Ashes & Fire

23.Fair Oh’s: Everything Is Dancing

22.Ghostpoet: Peanut Butter Blues & Meloncholy Jam

21.White Denim : D

20.Wye OakCivilian

19.St. Vincent : Strange Mercy

18. Real Estate : Days

17.Lykke Li : Wounded Rhymes

16.Veronica Falls : Veronica Falls

15.Nicolas Jaar: Space Is Only Noise

14. Braids : Native Speaker

13.Wooden : ShjipsWest

12.Balam Acab : Wander / Wonder

11.Metronomy : The English Riviera

10. Shabazz : Palaces Black Up

9. Little Dragon : Ritual Union

8. Antlers : Burst Apart

7. P.J Harvey : Let England Shake

6. Kurt Vile : Smoke Ring For My Halo

5. Josh T. Pearson : Last Of The Country Gentlemen

4. Jonathan Wilson : Gentle Spirit

3. Walls : Coracle

2. Tune-Yards : w h o k i l l

1. War On Drugs : Slave Ambient

altered zones best albums

http://alteredzones.com/posts/2163/2011-albums/

Ash Borer: Ash Borer [Pesanta Urfolk]

Blues Control & Laraaji: FRKWYS Vol. 8 [RVNG Intl.]

The Caretaker: An Empty Bliss Beyond This World [Self-Released]

Death Grips: Exmilitary [Self-Released]

Future Shuttle: Water’s Edge [Holy Mountain]

Holy Other: With U [Tri-Angle]

Iceage: New Brigade [Escho]

John Maus: We Must Become The Pitiless Censors of Ourselves [Ribbon]

Julia Holter: Tragedy [Leaving]

Julian Lynch: Terra [Underwater Peoples]

Jurgen Muller: Science of the Sea [Foxy Digitalis]

Laurel Halo: Hour Logic [Hippos In Tanks]

Liturgy: Aesthethica [Thrill Jockey]

Oneohtrix Point Never: Replica [Software]

Peaking Lights: 936 [Not Not Fun]

Pete Swanson: Man With Potential [Type]

Prince Rama: Trust Now [Paw Tracks]

Pure X: Pleasure [Acéphale]

Run DMT: Dreams [Culture Dealer]

Tim Hecker: Ravedeath, 1972 [Kranky]

08: JULIANNA BARWICKTHE MAGIC PLACE (ASTHMATIC KITTY)

heard this for the first time today, going through the FACT top 10, and the song “Prizewinning”, near the end, absolutely floored me. i may be biased by the fact that i fell asleep with headphones and it woke me up out of an outstanding dream, but it’s a beautiful song. the choral loops that characterize the album are complemented by a bit more rhythm than most of the other songs, via the repeating keyboard bass lines throughout and the addition of the snares that threaten to cave into themselves (nice subtle loopstation work) in the latter half of the song

i heard the song building up during my dream and honestly felt like i had finally died and there was a better place

haha, i kind of like the altered zones list.

some really good stuff in that list

z s you should give julia kent’s new record a listen, i think youd really like it

the alty zoney list kinda hilights my problem with the FACT list. like im sure whiney will be along to say something suitably cutting abt the lack of korn on that list but at least its a statement

Death Grips: Exmilitary [Self-Released]

also this is p incredible, def hi up on my own list

the alty zoney list kinda hilights my problem with the FACT list. like im sure whiney will be along to say something suitably cutting abt the lack of korn on that list but at least its a statement

i think the statement is that korn sucks.

Julia Kent’s Green and Grey? thanks lamp (you are a lamp, i think?), i’ll check it out!

its certainly a FACT

xp

Julia Kent’s Green and Grey? thanks lamp (you are a lamp, i think?), i’ll check it out!

yeah thats the one although ‘delay’ has some good stuff on it too. (and yes, lol)

So what you’re saying lamp is that the indie-ish stuff that the FACT list trumpets (John Maus/Peaking Lights/GGD) are all kinda safe-bet capitulations to consensus?

its more that theyre nods to... idk ‘consensus’ has the wrong connotations, it feels more like cool-hunting i guess, which is always a risky proposition. its like a list of things theyve heard of rather than listened to or s.thing

i dont even really have a problem with a mag basically listing what they think are the hippest records of the year, it certainly has more merit than the whole faux humble ‘these are just some records we really liked, guys!’ thing which feels disingenuous w/anything but a single person’s list. its more that i think FACT lacks any kind of aesthetic or worldview when theyre talking abt these kind of albums & its just like ‘oohh that labels cool, yeah, prurient!’ i mean why is ‘logic hour’ better than ‘antenna’, yknow?

its like a list of things theyve heard of rather than listened to or s.thing

there’s no way you can know that, tho. i mean, by its nature, “consensus” will push to the margins the more individual, idiosyncratic choices.

btw, the sample song on that rustie album — fact’s no. 2 of 2011 — is . . . okay.

haha i wld bet real money that the FACT staff have actually listened to the records they voted for, my point was more that its not a list of 50 records that sits comfortably together in my eyes, and that the only real throughline is ‘tumblr buzz’ (sort of).

i don’t normally read FACT mag., but i have liked their year-end lists. this one does feel different, especially the top 10. not yet sure why.