No, come on. There are fantastic pop songs out there that don't rely on bludgeoning repetition and inertia to get the point across. I found that song infuriating because it was a pleasant idea utterly wasted. There's nothing to come back to - no uplift, no tension, no bridge, no nothing -just the same melody repeated over and over in this really uninspiring way. I call this the Beautiful South effect. You can sing the song in 20 seconds and just paste it back-to-back on itself for four minutes and boom: there's your hit. That's not songwriting - that's coming up with a catchy riff and forgetting to finish the job.
Sorry, this entire paragraph is flat-out wrong.
The song clearly follows the pattern intro-verse-prechorus-chorus-verse-prechorus-chorus-bridge-chorus-chorus-outro with slight variations in the melody in each section with the one strict constant being the arpeggios in the piano up until the third chorus. The entire song does a series of swells that builds to the bridge, which relaxes into the third chorus and crescendos directly into the repeated chorus.
It's not a complicated song, but it is not underwritten or underperformed.
Now, I will say that the piano part is really, really, really simple, like Alicia-Keys-first-album simple, and that has a tendency to overwhelm the song; that's an arrangement problem, and one that I found pretty easy to overcome when I started focusing on what she was doing.
― OH NOES, Wednesday, 7 December 2011 17:17 (twelve years ago) link
adele has been dominating every album and singles chart and industry awards literally the entire year, it's just kind of boring and silly to pop up with "what a disaster that some magazines put adele on their lists" griping in december
― sandbox banned socks (Mr. Stevenson #2), Wednesday, 7 December 2011 17:17 (twelve years ago) link
yeah the simplistic piano on "Someone" really bothers me -- if you're going to have only piano accompanying a voice like hers the playing should be equally rich and technically accomplished imo
― sandbox banned socks (Mr. Stevenson #2), Wednesday, 7 December 2011 17:18 (twelve years ago) link
http://topnews.co.uk/images/imagecache/main_image/Biffa-truck.jpg
bon iver, fleet foxezzz! adele
― los krampusinos! (pomplamau5), Wednesday, 7 December 2011 17:19 (twelve years ago) link
xpost to the lex
I'm not defending Bon Iver or Fleet Foxes either. My aversion to those bands is the similar as yours to The Weeknd and Frank Ocean. It's like, people assume I must like them, but in fact I find them awfully dull and I get a bit RME when I think about how many other things came out this year that do a similar job but a squillion times better and don't get half way as many props.
― dog latin, Wednesday, 7 December 2011 17:20 (twelve years ago) link
i'm finding it rather ironic that there's this deluge of EOY lists when i'm still majorly anticipating albums that are either coming out now or in a week or two - robin thicke, rebecca ferguson, anthony hamilton, young jeezy...
although they have been helping me catch up with several i missed too. zodiac free arts club, kendrick lamar, gazelle twin, gloria estefan, julia holter...
SO MUCH MUSIC
― lex pretend, Wednesday, 7 December 2011 17:21 (twelve years ago) link
Not if the intent is to showcase Adele; I think the logic was to make the piano part a simple platform upon which Adele could place a delicate vocal performance, to switch up from her usual "hey I am hollering at you and you love it" style.
― OH NOES, Wednesday, 7 December 2011 17:22 (twelve years ago) link
The song clearly follows the pattern intro-verse-prechorus-chorus-verse-prechorus-chorus-bridge-chorus-chorus-outro with slight variations in the melody in each section
She does a very good job of covering this up ;-)
Okay, I'll shut up about Adele now as it's upsetting people. Obviously, she's not my style or forte, but I still don't think I'm gonna get convinced that she's any more than the Coldplay/Fleet Foxes of her niche.
― dog latin, Wednesday, 7 December 2011 17:23 (twelve years ago) link
From a strictly PR standpoint, I'm still kind of surprised that people schedule these high profile type releases in mid-to-late December. They miss out on the EOY list stuff and, 9 times out of 10, they are completely forgotten about by the time next year's lists come out. I get its partially a holiday buzz thing to get people to buy the album's as Christmas gifts - but thats usually reserved for box sets and cash-grab remix collections or w/e.
― I left my login in El Sandboxo, Wednesday, 7 December 2011 17:25 (twelve years ago) link
yeah i'm sure there is a compositional logic of "Someone" but it doesn't really work for me. usually when there's a rare hit with zero drums (John Legend's "Ordinary People" or Jazmine Sullivan's "Lions, Tigers & Bears") it feels like a nice little breather on radio playlists, but "Someone" kind of feels like dead air to me when it comes on.
― sandbox banned socks (Mr. Stevenson #2), Wednesday, 7 December 2011 17:26 (twelve years ago) link
From a strictly PR standpoint, I'm still kind of surprised that people schedule these high profile type releases in mid-to-late December
I'm facing this now with the Diddy and R. Kelly.
― Lord Sotosyn, Wednesday, 7 December 2011 17:26 (twelve years ago) link
rap blogs always refer to lower profile december releases as "tax writeoffs" but i have no idea if there actually is some kind of financial reality that makes it profitable for major labels to keep throwing out so many albums just before christmas.
― sandbox banned socks (Mr. Stevenson #2), Wednesday, 7 December 2011 17:27 (twelve years ago) link
i do feel sorry for december releases when it comes to these things, yeah.
― dog latin, Wednesday, 7 December 2011 17:27 (twelve years ago) link
I was excited about Thundercat album when it first came out, need to revisit it.
― Fastnbulbous, Wednesday, 7 December 2011 17:28 (twelve years ago) link
If you are a record company trying to hit your balance sheet for the end of the year, and you have a guaranteed banking seller, do you care most about 1) lots of sales at a time when people who are not particularly into music are buying things or 2) critical acclaim?
Come on, it's hardly rocket science.
― Wayland Smithee, Wednesday, 7 December 2011 17:29 (twelve years ago) link
Well, sure, I guess I shouldn't have used "high profile" to cover all these. If we're talking an R. Kelly guaranteed seller, I get it, but say, someone like Anthony Hamilton who isn't QUITE at that level yet and would probably benefit from some critical buzz.
― I left my login in El Sandboxo, Wednesday, 7 December 2011 17:30 (twelve years ago) link
it's definitely the xmas gift market! which is why most of these december releases are in commercially-oriented genres - the big pop, r&b and rap albums all often come out in nov/dec. those artists tend not to focus on EOY lists.
― lex pretend, Wednesday, 7 December 2011 17:30 (twelve years ago) link
It just means the label/artist doesn't care enough about critical rep, either because the artist is just being shoddily handled or because the artist is so massive they'll sell truckloads anyway, especialy a couple of weeks before Christmas. No one's going to hold that Susan Boyle album over til January so it can appear in 2012 lists.
― Matt DC, Wednesday, 7 December 2011 17:31 (twelve years ago) link
anthony hamilton makes traditional r&b. traditional r&b doesn't GET critical buzz, no matter when in the year it's released
― lex pretend, Wednesday, 7 December 2011 17:31 (twelve years ago) link
the Hamilton record is excellent, lex.
― Lord Sotosyn, Wednesday, 7 December 2011 17:31 (twelve years ago) link
Guys, I do get why they are released now, I'm just saying that it doesn't make sense if they are looking for critical acclaim on these type of lists. If you're a label that drops the album on December 20th, you lose the right to bitch about it not showing up on EOY lists.
― I left my login in El Sandboxo, Wednesday, 7 December 2011 17:32 (twelve years ago) link
i still feel sad that i never got to put my #1 album of last year (diddy dirty monet) at the top of any of my lists ;_;
― lex pretend, Wednesday, 7 December 2011 17:32 (twelve years ago) link
Ha, good point lex.
(xpost)
I'm anxious to hear the Hamilton.
― I left my login in El Sandboxo, Wednesday, 7 December 2011 17:33 (twelve years ago) link
(diddy dirty monet)
inadvertent display name
― v-shasty, Wednesday, 7 December 2011 17:37 (twelve years ago) link
i put LTTP as my #2 after listening to it twice. not it'd be my #1 but still i'm glad at my rash decision last year. this week i'm trying to cram in some 11th hour listening to see how many impulsive changes i can make to my top 10.
― sandbox banned socks (Mr. Stevenson #2), Wednesday, 7 December 2011 17:37 (twelve years ago) link
yeah i had it #3 on my p&j last year, behind titus andronicus & flockaveli. i'd bump it to #2 now.
― v-shasty, Wednesday, 7 December 2011 17:40 (twelve years ago) link
Do crits not get promos a month before release date anymore? You'd think they would do that aggressively for the December releases. Or maybe they don't care as the lists aren't proven to affect sales much?
― Fastnbulbous, Wednesday, 7 December 2011 17:44 (twelve years ago) link
it was fucking EIGHTH on my p&j ballot o_0 iirc i'd bumped it up to 2nd by the time of my ilm ballot, behind ciara. obviously 1st though.
― lex pretend, Wednesday, 7 December 2011 17:45 (twelve years ago) link
hahahahahaha at the idea of critics getting advance promos for major label shit
seems like most critics these days get the same 'advance' (i.e. internet leak) that everyone else gets for upcoming releases, with some big mags still getting intensely protected previews of major albums
― sockness, just sockness (Mr. Stevenson #2), Wednesday, 7 December 2011 17:46 (twelve years ago) link
interscope were willing to fly me to LA to interview yelawolf, but not to let me hear the album at any point prior to my copy deadline
sometimes there are "listening parties" which basically mean getting to hear the album played at a stupidly loud volume, once, in a room full of other journalists, and occasionally some nasty sandwiches if they want to push the boat out (rihanna)
― lex pretend, Wednesday, 7 December 2011 17:48 (twelve years ago) link
what's in those nasty sandwiches
― Lord Sotosyn, Wednesday, 7 December 2011 18:32 (twelve years ago) link
at a Rihanna party? I'm guessing Spanish fly and panties
― OH NOES, Wednesday, 7 December 2011 18:33 (twelve years ago) link
prepackaged cheese. going for an "eat what you hear" thing i guess
― degas-dirty monet (lex pretend), Wednesday, 7 December 2011 18:35 (twelve years ago) link
I guess the inverse of this is the 'critic-bait' records that tend to come out in January, which is the best time for catching critics' attention, because they're all desperate to find the first great release of the new year to get their lists started.
― o. nate, Wednesday, 7 December 2011 19:08 (twelve years ago) link
ROLLING STONE TOP 50 ALBUMS:
50 The Lonely Island – Turtleneck & Chain49 Wavves – Life Sux48 Charles Bradley – No More Time For Dreaming47 PJ Harvey – Let England Shake46 White Denim – D45 Tedeschi Trucks Band – Revelator44 Raphael Saadiq – Stone Rollin43 The Kills – Blood Pressures42 Destroyer – Kaputt41 Little Dragon – Ritual Union40 Gary Clark Jr. – The Bright Lights39 Kurt Vile – Smoke Ring For My Halo38 Mastodon – The Hunter37 Panda Bear – Tomboy36 Stephen Malkmus And The Jicks – Mirror Traffic35 Dawes – Nothing Is Wrong34 SuperHeavy – SuperHeavy33 Josh T. Pearson – Last Of The Country Gentlemen32 Big K.R.I.T. – Return Of 4Eva31 Miranda Lambert – Four The Record30 Tom Morello, The Nightwatchman – World Wide Rebel Songs29 Pistol Annies – Hell On Heels28 Das Racist – Relax27 Florence & The Machine – Ceremonials26 St. Vincent – Strange Mercy25 Beyoncé – 424 Frank Ocean – Nostalgia, Ultra.23 Tom Waits – Bad As Me22 Drake – Take Care21 Bon Iver – Bon Iver20 Foo Fighters – Wasting Light19 Eric Church – Chief18 Feist – Metals17 TV On The Radio – Nine Types Of Light16 R.E.M. – Collapse Into Now15 Cage The Elephant – Thank You Happy Birthday14 Beastie Boys – Hot Sauce Committee Pt. 213 tUnE-YarDs – w h o k i l l12 The Black Keys – El Camino11 My Morning Jacket – Circuital10 Robbie Robertson – How To Become Clairvoyant09 Wild Flag – Wild Flag08 Wilco – The Whole Love07 The Decemberists – The King Is Dead06 Lady Gaga – Born This Way05 Radiohead – The King Of Limbs04 Fleet Foxes – Helplessness Blues03 Paul Simon – So Beautiful Or So What02 Jay-Z & Kanye West – Watch The Throne01 Adele – 21
http://www.rollingstone.com/music/lists/50-best-albums-of-2011-20111207
― los krampusinos! (pomplamau5), Wednesday, 7 December 2011 19:09 (twelve years ago) link
ROLLING IN THE DEEEE- https://www.youtube.com/watch?v=-0Z681OSWYw
― sockness, just sockness (Mr. Stevenson #2), Wednesday, 7 December 2011 19:11 (twelve years ago) link
pjh resting at no. 47 in rolling-stone's year-end poll.
sweeeeeeeeet.
― Daniel, Esq., Wednesday, 7 December 2011 19:15 (twelve years ago) link
ROLLING STONE TOP 50 SINGLES OF 2011:
50. Red Hot Chili Peppers, 'Adventures of Raindance Maggie'49. Pains of Being Pure at Heart, 'Heart In Your Heartbreak'48. Noel Gallagher's High Flying Birds, 'The Death of You and Me'47. Atlas Sound, 'Mona Lisa'46. Mr. Muthafuckin’ eXquire et al., 'The Last Huzzah'45. Cass McCombs, 'The Same Thing'44. The Joy Formidable, 'The Everchanging Spectrum of a Lie'43. Hayes Carll, 'KMAG YOYO'42. Eleanor Friedberger, 'My Mistakes'41. Coldplay, 'Paradise'40. Girls, 'Vomit'39. EMA, 'California'38. Middle Brother, 'Blue Eyes'37. Nas, 'Nasty'36. Tom Waits, 'Satisfied'35. R.E.M., 'We All Go Back To Where We Belong'34. Das Racist, 'Girl'33. Beastie Boys feat. Santigold, 'Don't Play No Games That I Can't Win'32. Tune-Yards, 'Bizniss'31. Killer Mike, 'Ric Flair'30. Eric Church, 'Springsteen'29. Adele, 'Rumour Has It'28. Dawes, 'Million Dollar Bill'27. Lady Gaga, 'You and I'26. Miranda Lambert, 'Mama's Broken Heart'25. Lykke Li, 'Youth Knows No Pain'24. Smith Westerns, 'Weekend'23. Tyler, the Creator, 'Yonkers'22. Bon Iver, 'Holocene'21. Paul Simon, 'The Afterlife'20. Jay-Z and Kanye West, 'Welcome to the Jungle'19. Lucinda Williams, 'Blessed'18. Black Keys, 'Little Black Submarines'17. Wilco, 'I Might'16. Fleet Foxes, 'Lorelai'15. TV on the Radio, 'You'14. Sleeper Agent, 'Get It Daddy'13. My Morning Jacket, 'Circuital'12. Lloyd feat. Andre 3000 and Lil Wayne, 'Dedication to My Ex (Miss That)'11. Foster the People, 'Pumped Up Kicks'10 The Decemberists – “Don’t Carry It All”09 Lil Wayne – “Six Foot Seven Foot” (Feat. Cory Gunz)08 Beyoncé – “Countdown”07 Lady Gaga – “Edge Of Glory”06 Radiohead – “Lotus Flower”05 Paul Simon – “Rewrite”04 Foo Fighters – “These Days”03 Britney Spears – “Till The World Ends”02 Jay-Z & Kanye West – “*****s In Paris”01 Adele – “Rolling In The Deep”
http://www.rollingstone.com/music/lists/50-best-singles-of-2011-20111207
― los krampusinos! (pomplamau5), Wednesday, 7 December 2011 19:15 (twelve years ago) link
sometimes i think rolling-stone's no. 40 song might be my favorite song of the year. and i'm not even really a fan of the band.
― Daniel, Esq., Wednesday, 7 December 2011 19:16 (twelve years ago) link
how did the decemberists beat foster the people
― your voice of treason, Wednesday, 7 December 2011 19:21 (twelve years ago) link
how did the editors at rs remember that radiohead released a record this year
we could have had it all
How did Fester the Peehole make it to #11
btw one of my proudest achievements this year was getting my wife to refer to that band as Fester the Peehole
― OH NOES, Wednesday, 7 December 2011 19:22 (twelve years ago) link
did far side virtual ever get a physical release? it probably did but its sorta s.thing to have an (initially) digital only release as yr best album of the year
― blah blah blah (є(٥_ ٥)э), Wednesday, 7 December 2011 19:25 (twelve years ago) link
o____O @ rolling stone putting adele at #1
also i have no idea what one of the albums in the rolling stone top 10 is! i'm getting younger!
― v-shasty, Wednesday, 7 December 2011 19:26 (twelve years ago) link
The Robertson album is the only one I wasn't aware of, though I know who Robertson is.
― jaymc, Wednesday, 7 December 2011 20:13 (twelve years ago) link
More WIre magazine lists...
no erstwhiles = fail
Archive Releases of the Year 1–50:
1 John Fahey Your Past Comes Back To Haunt You: The Fonotone Years 1958–1965 (Dust-To-Digital/Revenant) 2 Albert Ayler Stockholm, Berlin 1966 (HatOLOGY) 3 Bill Dixon Orchestra Intents And Purposes (International Phonograph) 4 Theo Parrish Ugly Edits (Ugly Edits) 5 Annette Peacock I’m The One (Ironic) 6 Disco Inferno The 5 EPs (One Little Indian) 7 LFO Frequencies (Warp) 8 Hecker Sun Pandämonium (PAN) 9 Steve Roden I Listen To The Wind That Obliterates My Traces: Music In Vernacular Photographs 1880–1955 (Dust-To-Digital)10 Moniek Darge Sounds Of Sacred Places (Kye) 11 Christian Wolff Kompositionen 1950–1972 (Edition RZ) 12 Can Tago Mago 40th Anniversary Edition (Spoon/Mute) 13 Alice Coltrane Universal Consciousness/ Lord Of Lords (Impulse!) 14 Alvin Curran Solo Works: The 70s (New World) 15 Richard Skelton The Complete Landings (Sustain-Release) 16 Julius Hemphill Dogon AD (International Phonograph) 17 Craig Leon Nommos (No label) 18 Opika Pende: Africa At 78rpm Various (Dust-To-Digital) 19 Invasion Of The Mysteron Killer Sounds In 3D Various (Soul Jazz) 20 FMP: Im Rückblick – In Retrospect Various (FMP) 21 TCM The Criminal Minds (Rephlex) 22 Lionel Marchetti Une Saison (Monotype) 23 Dub Taylor Lumiere (Sub Rosa) 24 The Bachs Out Of The Bachs (Time-Lag) 25 The Fall This Nation’s Saving Grace Omnibus Edition (Beggars Banquet) 26 Dinosaur L 24→24 Music (Sleeping Bag) 27 Silver Bullet Bring Down The Walls No Limit Squad Returns (Original Dope)28 Dicky Landry Fifteen Saxophones (Unseen Worlds)29 Autechre EPs 1991–2002 (Warp) 30 Tav Falco’s Panther Burns Lore And Testament Vol 1: Behind The Magnolia Curtain/Blow Your Top (Stag-O-Lee) 31 Howard Riley The Complete Short Stories 1998–2010 (No Business) 32 Group Ongaku Music Of Group Ongaku 1960–1961 (Seer Sound Archive) 33 Demdike Stare Triptych (Modern Love) 34 Derek Bailey Concert In Milwaukee (Incus) 35 Roy Harper Stormcock (Believe Digital) 36 These Trails These Trails (Drag City) 37 Jason Lescallet This Is What I Do (Glistening Examples) 38 The Raincoats Odyshape (We ThRee) 39 Those Shocking Shaking Days: Indonesian Hard, Psychedelic, Progressive Rock & Funk 1970–1978 Various (Now Again)40 Lee Konitz The Complete Remastered Recordings On Black Saint & Soul Note (Cam Jazz) 41 Ghédalia Tazartès Repas Froid (PAN) 42 Chris & Cosey Songs Of Love And Lust (Conspiracy International) 43 Nigeria 70: Sweet Times: Afro-Funk, Highlife & Juju From 1970s Lagos Various (Strut) 44 Tom Zé Grande Liquidação (Mr Bongo) 45 The Jesus And Mary Chain Psychocandy (Edsel) 46 Our Lives Are Shaped By What We Love: Motown’s MoWest Story 1971–1973 Various (Light In The Attic) 47 Christoph Heemann Rings Of Saturn (Robot) 48 Mickey Newbury An American Trilogy (Saint Cecilia Knows/ Mountain Retreat) 49 Delta Swamp Rock: Sounds From The South At The Crossroads Of Rock, Country And Soul Various (Soul Jazz) 50 Throbbing Gristle 20 Jazz Funk Greats (Industrial)
Avant Rock A–Z
Matt Baldwin Night In The Triangle (American Dust) Barn Owl & The Infinite Strings Ensemble The Headlands (Important) Ex-Easter Island Head Mallet Guitars One (Low Point) Expo 70 Inaudible Bicoastal Trajectory (Aguirre) Iceage New Brigade (Dais) C Joynes Congo (Bo’Weavil) Liturgy Aesthethica (Thrill Jockey) The Men Leave Home (Sacred Bones) Noveller Glacial Glow (Weird Forest) Angel Olson Strange Cacti (Bathetic) Peaking Lights 936 (Not Not Fun/Domino) Skullflower Fucked On A Pile Of Corpses (Cold Spring) Staccato Du Mal Sin Destino (Wierd) Alexander Tucker Dorwytch (Thrill Jockey) Village Of Spaces Alchemy And Trust (Corleone)
Critical Beats A–Z
Actress Twitter tracks (No label) Africa Hitech 93 Million Miles (Warp) BNJMN Black Square (Rush Hour) Coki Don’t Get it Twisted (DMZ) Darq E Freaker Cherryade (Oil Gang) Funkystepz Fuller (Hyperdub) Instra:Mental Resolution 653 (Nonplus) Faze Miyake Take Off (Woofer Music) Massive Attack vs Burial Four Walls (The Vinyl Factory) Moony I’m A UK G (Gobstopper) Morphosis What Have We Learned (Delsin) Preditah Circles (No label) Andy Stott We Stay Together (Modern Love) Swindle/Royal T Mood Swings VIP/Orangeade VIP (Butterz) Bangs & Works Vol 2: The Best Of Chicago Footwork Various (Planet Mu)
Dub A–Z
Lee Perry & The Upsetters The Return Of Sound System Scratch (Pressure Sounds) Disrupt & Soom T Ode To A Carrot (Jahtari) King Midas Sound Without You (Hyperdub) Bunny Lee & The Aggrovators Dub Will Change Your Mind (King Spinna) Lee ‘Scratch’ Perry Nu Sound & Version (On-U Sound) Muslimgauze Babylon Iz Iraq (Fathom) RSD Go In A Good Way (Zettai Mu) African Head Charge Voodoo Of The Godsent (On-U Sound) The Revolutionaries Dial M For Murder In Dub Style (Pressure Sounds) Deadbeat Drawn & Quartered (BLKRTZ)
Electronica A–Z
Balam Acab Wander/Wonder (Tri Angle) Ursula Bogner Sonne = Blackbox (Faitiche) Borden/Ferraro/Godin/Halo/Lopatin FRKWYS 7 (FRKWYS) Margaret Dygas Margaret Dygas (Perlon) Ekoclef Tapeswap (Magic & Dreams) Lawrence English The Peregrine (Experimedia) Mark Fell Manitutshu (Editions Mego) Steve Hauschildt Tragedy & Geometry (Kranky) Kangding Ray OR (Raster-Noton) Kuedo Severant (Planet Mu) Oneohtrix Point Never Replica (Software/Mexican Summer) Roll The Dice In Dust (Leaf) Pinch & Shackleton Pinch & Shackleton (Honest Jon’s) Andy Stott Passed Me By (Modern Love) Cristian Vogel Black Swan (Sub Rosa)
Global A–Z
Bambara Mystic Soul: The Raw Sound Of Burkina Faso 1974–1979 Various (Analog Africa) ZM Dagar & ZF Dagar Ragini Miyan Ki Todi (Country & Eastern) Fanafody: A Collection Of Recordings & Photography From Madagasikara Vol II Various (Mississippi) Franco & Le TPOK Jazz Francophonic Vol 1 1953–1980 (Sterns) Jeong Ga Ak Hoe Gagok (Female) Pungnyu III (Akdang) Issa Juma & Super Wanyika Stars World Defeats The Grandfathers – Swinging Swahili Rumba 1982–1986 (Sterns) Korea: Jongmyo Jeryeak: Ritual Music For The Royal Ancestors Various (Ocora) Seun Kuti & Egypt 80 From Africa With Fury: Rise (Knitting Factory) Opika Pende: Africa At 78rpm Various (Dust-To-Digital) Tabu Ley Rochereau The Voice Of Lightness Vol 2 (Sterns) Young Ho Shu Ajaeng Sanzo (Akdang) Omar Souleyman Haflat Gharbia: The Western Concerts (Sublime Frequencies) Wallahi Le Zein!!: Wezin, Jakwar, And Guitar Boogie From The Islamic Republic Of Mauritania Various (Latitude) Emin Yagci Tulum: A Sound From The Black Sea (Felmay) Lingling Yu/Guo Gan Yue Luo: Jiangnan Sizhu Music (Felmay)
Hiphop A–Z
Chris Brown featuring Lil Wayne & Busta Rhymes Look At Me Now (Jive) Danny Brown XXX (Fools Gold) Jay-Z & Kanye West Niggas In Paris (Def Jam) Kendrick Lamar Section 80 (TDE) Lil B Bitch Mob: Respect Da Bitch Vol 1 (No label) Meek Mill House Party (Maybach Music Group) Mr Muthafuckin’ Exquire Huzzah (YouTube clip) Tyler, The Creator Yonkers (OFWGKTA/XL) Don Trip & Starlito Step Brothers (No label) Waka Flocka Flame Duflocka Rant (No label)
Jazz & Improv A–Z
Derek Bailey Concert In Milwaukee (Incus) Billy Bang’s Survival Ensemble Black Man’s Blues (NoBusiness) Michel Doneda/Jonas Kocher/ Christoph Schiller ///Grape Skin (Another Timbre) Dörner/Dafeldecker/Johansson Der Kreis Des Gegenstandes (Monotype) Bertrand Denzler Tenor (Potlach) Klaus Filip & Nikos Veliotis Slugabed (Hibari) Flow Trio Set Theory, Live At The Stone (Ayler) Hession/Wilkinson/Fell Two Falls & A Submission (Bo’Weavil) Charlotte Hug Slipways To Galaxies (Emanem) Eli Keszler Oxtirn (ESP) Mural Live At The Rothko Chapel (Rothko Chapel) William Parker Crumbling In The Shadows Is Fraulein Miller’s Stale Cake (Centering) Akira Sakata & Chikamorachi Live At Hungry Brain (Family Vineyard) Sheriffs Of Nothingness A Summer’s Night At The Crooked Forest (Sofa) David S Ware/Cooper-Moore/William Parker/Muhammad Ali Planetary Unknown (AUM Fidelity)
Modern Composition A–Z
John Cage The Works For Percussion 1 (Mode) Friedrich Cerha Bruchstück, Geträumt/Neun Bagatellen/ Instants (Kairos) Alvin Curran Solo Works: The 70s (New World) Luc Ferrari Piano And Percussion Works (Hat HUT) Hans G Helms Fa:m’ Ahniesgwow (Wergo) Ben Johnston String Quartets (New World) David Lumsdaine Big Meeting (NMC) Roger Reynolds Sanctuary (Mode) Richard Skelton The Complete Landings (Sustain-Release) Christian Wolff Kompositionen 1950–72 (Edition RZ)
Outer Limits A–Z
Bee Mask Canzoni Dal Laboratorio Del Silenzio Cosmico (Spectrum Spools) Frieder Butzmann Wie Zeit Vergeht (PAN) Caboladies Renewable Destination (Students Of Decay) Cut Hands Afro Noise I (Very Friendly/Susan Lawly) Head Boggle Unsounds And Domo Live (NNA Tapes) Hecker Speculative Solution (Editions Mego) Idea Fire Company Music From The Impossible Salon (Kye) Thomas Lehn & Marcus Schmickler Live Double Séance [Antaa Kalojen Vida] (Editions Mego) John Mannion Slice Through Or/In Glassmetal (Hanson) Francisco Meirino Recordings Of Voltage Errors, Magnetic Fields, On-Site Testimonies & Tape Tension (Misanthropic Agenda) Jim O’Rourke & Christoph Heemann Plastic Palace People Vol 1 (Streamline) Peterlicker Nicht (Editions Mego) Raionbashi/Krube Split (Hrönir) Rodger Stella/Kites Interior Moon (Mutter Wild) Werewolf Jerusalem Confessions Of A Sex Maniac (Second Layer)
Size Matters A–Z
Chora Songs From The Husk-Hair Malt (Winebox Press MC) Tom Fazzini Stats (Loophamystery 7") Lantern Deliver Me From Nowhere (Electric Voice MC) Leopard Et Moi L’Amour De La Nature (Brise-Cul MC) Mad Nanna I’ve Been Talking (Alberts Basement 7") Matsuo Ohno Play On Animals (Em 7") Bill Orcutt All Tongues/Tender Bottoms (Palilalia 7") Primitive Calculators/Slug Guts Pumping Ugly Muscle split (Sweet Rot 7") 3 Toed Sloth … against the odds (Unwucht 2×7") Wonderfuls Piss Fist (Negative Guest List 7")
― los krampusinos! (pomplamau5), Wednesday, 7 December 2011 20:45 (twelve years ago) link
that is just a c&p fail btw
― los krampusinos! (pomplamau5), Wednesday, 7 December 2011 20:48 (twelve years ago) link
those lists are A LOT better than their disappointing main one i think
― los krampusinos! (pomplamau5), Wednesday, 7 December 2011 20:51 (twelve years ago) link